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Sagot :
In T.S. Eliot's poem "The Love Song of J. Alfred Prufrock," the senses are engaged vividly through his use of imagery and descriptive language. Let's break down the lines for the different senses:
Sight
1. "When the evening is spread out against the sky"
• This line evokes the visual imagery of an evening sky, likely twilight, creating a backdrop for the scene.
2. "Like a patient etherized upon a table"
• This simile provides a stark, visual image of a patient under anesthesia, motionless and passive.
3. "Sawdust restaurants with oyster-shells"
• This line paints a picture of rustic or unrefined restaurants, likely casual places that have a somewhat gritty feel due to the sawdust and oyster shells.
Smell
• Although not explicitly mentioned in this excerpt, the presence of "restaurants with oyster-shells" can invoke the smell of seafood and the unique aroma of such eateries, particularly in a time where proper ventilation and modern cleanliness standards were less stringently adhered to.
Sound
1. "The muttering retreats"
• The word "muttering" suggests a low, continuous sound, possibly of people talking indistinctly or the city's ambient noise.
Taste
• Again, while not explicitly mentioned, the reference to "oyster-shells" implies the taste of oysters, which can be briny, sweet, or metallic depending on one's experience with seafood.
Touch
1. "Half-deserted streets"
• This could evoke the feeling of walking on uneven, possibly cobblestone streets typical of early 20th-century urban environments.
2. "A patient etherized upon a table"
• The word "etherized" suggests a numb, unfeeling state, which is a tactile sensation (or lack thereof).
Summary
Eliot uses these sensory details to create a vivid, immersive experience for the reader. The descriptions construct a melancholic, almost surreal atmosphere, highlighting Prufrock's internal turmoil and the bleak urban environment he navigates. The senses are subtly interwoven into the imagery, invoking the reader's sensory experiences to deepen the impact of the poem.
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