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Answer:
Passenger; or, The Training of the Eye", Ana Parejo Vadillo and John Plunkett interpret Meynell's brief descriptive narrative as "an attempt to get rid of what one may call the "passenger's guilt" -- or "the transformation of someone else's drama into a spectacle, and the guilt of the passenger as he or she takes the position of the audience, not oblivious to the fact that what is happening is real but both unable and unwilling to act on it" ("The Railway and Modernity: Time, Space, and the Machine Ensemble," 2007).