Answer:
With regard to the performance of choral music, a few points should be noted. The Romantic composers tended to write out exactly what they wanted in the way of dynamics, tempo, and expression. A problem in performance practice related to the Romantic period is found in Romantic editions of earlier music. Such editions tend to include many expressive markings that were never intended by the composer. Any edition of music written before 1750 that contains dynamic, tempo, and expressive markings not clearly identified as editorial is suspect.
