Abayanshaira388idn
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How were you able to perform a lyrics related to CoVid using the music of Mozart?​

Sagot :

Samanthasimonevalencidn

Answer:

As one might expect from its name, the Sinfonia concertante in E-flat, K. 364 is both symphonic in character and has a violin and viola soloists, in the manner of a double concerto. However, concertante also meant to play “in concert” among a mixed group of instruments, and Mozart writes in this more conversational vein as well. Each of the winds has a distinctive voice in addition to the two soloists, sometimes playing along with them colla parte and other times interjecting their own phrases. The range of timbres Mozart creates through these combinations would provide interest enough, even without remarkable passages like the cadenza at the end of the first movement, which requires equal measures of virtuosity and sensitivity. Mozart’s writing in this symphonic concerto was inspired by his travels, first to Munich and Mannheim in 1777, then on to Paris in 1778, where he wrote the Symphony no. 3 (the Paris Symphony). The coup d’archet at the beginning of the Sinfonia recalls the symphonic fashion of Paris, with sudden fortissimo chords for the whole orchestra, a gesture that could be traced back to Lully. Similarly, the prominent solos for winds are crafted to Parisian taste.

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Princecharlepasionidn

Answer:

As one might expect from its name, the Sinfonia concertante in E-flat, K. 364 is both symphonic in character and has a violin and viola soloists, in the manner of a double concerto. However, concertante also meant to play “in concert” among a mixed group of instruments, and Mozart writes in this more conversational vein as well. Each of the winds has a distinctive voice in addition to the two soloists, sometimes playing along with them colla parte and other times interjecting their own phrases. The range of timbres Mozart creates through these combinations would provide interest enough, even without remarkable passages like the cadenza at the end of the first movement, which requires equal measures of virtuosity and sensitivity. Mozart’s writing in this symphonic concerto was inspired by his travels, first to Munich and Mannheim in 1777, then on to Paris in 1778, where he wrote the Symphony no. 3 (the Paris Symphony). The coup d’archet at the beginning of the Sinfonia recalls the symphonic fashion of Paris, with sudden fortissimo chords for the whole orchestra, a gesture that could be traced back to Lully. Similarly, the prominent solos for winds are crafted to Parisian taste.

Explanation:

baka po sinabi nyo po na nangaagaya po ako hindi po ako nang gagaya

pa brainliest po please kailangan ko lang po

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