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sheet of paper. oronestras are used to accompany dances, songs 1. The and shadow plays. ensemble while Indonesia has the 2 Cambodia has the Javanese and Balinese gamelans. 3. Most of the countries in Southeast Asia have similarities in ther and the types of music performed. Their musical influences are similar to one another as well. 4. The traditional music of Laos has similarities with that of Thailand and 5. The music of Thailand, Laos and Cambodia is almost idential, anhough their individual political histories anter. They have the same types of orchestra namely, piphat, Kruengsai and 6. Indonesia and Malaysia have the same musical forms like of Wayang Kulit accompanied by the 7. Both vocal and instrumental music in use slendro and pelog scale. 8. Kertok is a musical ensemble from Which consists of xylophone played swiftly and rhythmically in traditional Malay functions. 9. Kompang ensemble from Malaysia is commonly played during 10. The word Nha Naac means This covers a broad range of musical and dance styles performed at the Vietnamese royal count from the fifteenth to the mid-twentieth century.​

Sagot :

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Answer:

The and shadow plays. ensemble while Indonesia has the 2 Cambodia has the Javanese and Balinese gamelans. 3. Most of the countries in Southeast Asia have similarities in ther and the types of music performed. Their musical influences are similar to one another as well. 4. The traditional music of Laos has similarities with that of Thailand and 5. The music of Thailand, Laos and Cambodia is almost idential, anhough their individual political histories anter. They have the same types of orchestra namely, piphat, Kruengsai and 6. Indonesia and Malaysia have the same musical forms like of Wayang Kulit accompanied by the 7. Both vocal and instrumental music in use slendro and pelog scale. 8. Kertok is a musical ensemble from Which consists of xylophone played swiftly and rhythmically in traditional Malay functions. 9. Kompang ensemble from Malaysia is commonly played during 10. The word Nha Naac means This covers a broad range of musical and dance styles performed at the Vietnamese royal count from the fifteenth to the mid-twentieth century

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