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Music and religion are closely linked in relationships as complex, diverse, and difficult to define as either term in itself. Religious believers have heard music as the voices of gods and the cacophony of devils, praised it as the purest form of spirituality, and condemned it as the ultimate in sensual depravity; with equal enthusiasm they have promoted its use in worship and sought to eradicate it from both religious and secular life. Seldom a neutral phenomenon, music has a high positive or negative value that reflects its near-universal importance in the religious sphere. This importance—perhaps difficult to appreciate for post-industrial-revolution Westerners accustomed to reducing music to the secondary realms of "art," "entertainment," and occasional "religious" music isolated behind sanctuary walls—has nonetheless been per-vasive.
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