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In Cambodia, where the preference is for stories of the Ramayana (which is called Ramker in Cambodia), the music is a full gong ensemble similar to the Thai pi phat ensemble, while in Myanmar, a percussion orchestra of drums and gongs in circular frames accompanies singing, dancing, and dialogues in all types of plays.
Khmer music consists of polyphonic stratification and is based predominantly on the pentatonic (five-tone) scale. It is built linearly, devoid of harmony in the Western sense. Musicians in a music ensemble have a collective melody in mind that no single musician actually plays.
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