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DYSNAMICS OF SWAN LAKE
A solid cadenced ¾ allegro section, with successions and sliding scales is played by the ensemble, with kettle drum and cymbals. The music tweaks, and a short, calm woodwind entry is then rotated with an instrumental section with dabbed rhythms, making a 'terraced elements' impact.
The score for the artful dance Swan Lake by Piotr Ilytch Tchaikovsky uses the melodic method known as topical change. The fundamental subject passes on the unfortunate component of the story by having the scale and going with harmonies change each time the topic is introduced:
Whenever the topic first seems it is in a minor key and uses the tonic and significant VI harmonies.
The following time the subject seems the six harmony has been changed over into a minor vi harmony and the topic has had the tonic note brought down to coordinate.
The third time the topic seems the subsequent harmony is a vi7 half-reduced seventh harmony. The song must be changed likewise with both the tonic and mediant scale steps brought down by a half advance to match the amicability.
This strategy is called topical change and it is a standard melodic procedure of the Romantic time frame, as a rule said to have been developed by Franz Liszt.
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