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Answer:
The depiction of natural scenery in art. Landscape paintings may capture mountains, valleys, bodies of water, fields, forests, and coasts and may or may not include man-made structures as well as people. Although paintings from the earliest ancient and Classical periods included natural scenic elements, landscape as an independent genre did not emerge in the Western tradition until the Renaissance in the 16th century. In the Eastern tradition, the genre can be traced back to 4th-century-CE China.
Though landscape painting was still not a genre in its own right and was considered low in the art academy’s rigid hierarchy of subject matter, background landscapes became increasingly detailed in compositions that emerged in Venice in the late 15th century. Landscapes were notable in works by Giovanni Bellini (The Agony in the Garden, c. 1465; Saint Jerome Reading in a Landscape, c. 1480–85) and, slightly later, in those by Giorgione (The Tempest, c. 1505; Adoration of the Shepherds, 1505/10). By the mid-16th century, artists in northern Europe—particularly those of the Danube school, such as Joachim Patinir and Albrecht Altdorfer—were creating paintings which, though often populated with biblical figures, truly celebrated the beauty of nature in its own right. Later in the 16th century, Flemish artist Pieter Bruegel the Elder became a master landscape painter, specializing in colourful, highly detailed scenic views (Landscape with the Fall of Icarus, c. 1558; Hunters in the Snow, 1565; The Harvesters, 1565)
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